write: Considered a white boy, his complexion would often bring out the worst in people: after all, why was this boy from country living down in the ghetto and not uptown with all the other light skin people (Boot and Salewicz, 63)?
The combination of white and black Jamaican heritage that was passed to Marley from Cedella and Captain Norval Marley most certainly played a role in shaping Marleys youth and would continue to influence him for his entire career.
Framed from this perspective, we suddenly see a persistent pattern of utter subjugation and economic inequality, with islanders providing stud service only being the latest form of exploitation.
It should also be stated that Marley was a member of the early movement of Rastas who were rooted in Garveys Black Nationalism, and in an ancient tradition of Africanized Christianity known as Ethiopianism (Stephens 149).
As for mixed race families, they are one of the fastest growing demographics in London and are far more socially accepted as a whole.
The fact that the media we consume is now so inclusive of mixed race couples in its advertising campaigns, surely suggests attitudes are changing?
When white women flock to Jamaica for a little fun in the sun, the R&R they’re often looking for is not “Rest and Relaxation” but to “Rent a Rasta” according to director J. His eye-opening expose’ of the same name sheds light on a barely acknowledged form of sex tourism, namely, white women who visit the Caribbean Islands to get their groove back with the help of black locals.
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Neville Garrick, the Wailers art and light man, remembers that in May 1978, Marley went into several bookshops in Chicago and bought a large quantity of black consciousness literature, including biographies of Malcom X and Angela Davis (Stephens 198).
It is also possible that he had a growing sense of international responsibility: in June 1978 the African delegations to the United Nations gave Marley the Peace Medal to honor his efforts for equal rights and justice for Africans (Stephens 198).